Saraswati
Jaipur, Rajasthan
A daughter of the Aravallis, Saraswati learnt to knot before she learnt to write. Today she leads a circle of seven women who work from their verandas, and whose afternoons begin only after the cattle have come home.
Every piece is signed, in a quiet way, by the person who made it. These are some of them.
We work directly with seven women-led cooperatives and a handful of independent artisans across Rajasthan, Uttar Pradesh, West Bengal and Panipat. No middlemen. No factory floors. The clatter you hear behind the photos is a sewing machine in a living room, somewhere between four o’clock tea and the end of a school day.
Our fair-pay floor is set above the regional minimum-wage benchmark, and orders are scheduled around the harvest calendar so nobody has to choose between the craft and the field. The numbers are unglamorous, but they matter to us.
Jaipur, Rajasthan
A daughter of the Aravallis, Saraswati learnt to knot before she learnt to write. Today she leads a circle of seven women who work from their verandas, and whose afternoons begin only after the cattle have come home.
Old Lucknow, Uttar Pradesh
Imrana stitches gold on jute in the same haveli her great-grandmother embroidered chikan in. The collective’s ten artisans share commissions, lunches, and a slow afternoon chai that turns into design review without anyone planning it.
Birbhum, West Bengal
A trio of crocheters — mother first, then two daughters who pretended to dislike the craft until college. The daisy granny-square bag was their idea. The roses on the tissue cover were their stubbornness.
Panipat, Haryana
Trained in the family workshop along Panipat’s weaver belt, Rajan now mentors four apprentices. He believes every basket has the temperament of the person who wove it — calm, restless, generous.
We host a small studio visit once a quarter, and we’re always happy to share an artisan’s story before you buy. Reach us on WhatsApp and we’ll set it up.